Not sure what was going on with his acoustic but it was definitely not going to work with that sound it was making. "James" is just so laid back and nice and it was supposed to lead into Joel playing his acoustic. Joel lays down some keys on panzer and Moonlight rider which is a change for the songs. The jam at the end of Kitchens cave rocks and then the sick drums and bass solo which sustains into panzer into koot soup, just rocks. I"ve listened to that track so many times now. The cover of "Ain"t no sunshine when she"s gone" is just utterly beautiful. You can hear some local fans (emily) yelling at the end of 61 and very excited at the beginning of Kitchen's Cave. Both are awesome and speak the truth about the area, its beautiful. Its great hearing their two songs paying homage to the Winona area, 61 and Kitchens Cave.
This is the second night for Joel to bring out his new organ too, and this time we had it much more under control. Unfortunately that is not conveyed through recording. Between joel's solo/duo with jake, and the rhythm sections solo abilities, members could take breaks without ever giving the crowd a chance to take one. The funny thing about all the breaks that night is there were supposed to be none at all. The song feels like a prog-rock song of the 70's with nice sax and guitar play. This song, and its complex/compound time signature(9/8), is so far above my head, but thats fine with me. Then the first actual live debut (not counting an afternoon sound-check at an earlier stingers show) of their new unnamed song. Starting after pecan pie with joels pedals. There are a lot of pauses throughout the night due to technical difficulties. Nice warm up with who turned out the lights and pecan pie. Ain't No Sunshine When She's Gone -> Ain't No Sunshine When She's Gone -> Ain't No Sunshine When She's Gone -> Come on Home Thanks to Katie Martin for putting this on.Ħ. Thanks to Stino for the great sounding mix and hard work $ Acoustic guitar was not working so he switched back to his electric
& Problems with Joels pedals, takes a while to get worked out. The tune gained greater exposure with versions by jazz bassist Jaco Pastorius.One Set - Few minor breaks for Technical DifficultiesĠ6 Ain't No Sunshine When Shes Gone -> Come On Home 3:51 " The Chicken" or simply " Chicken" is an instrumental funk tune composed by Pee Wee Ellis that was the B-side to James Brown's 1969 single " The Popcorn". ( February 2015) ( Learn how and when to remove this template message) Please improve this by adding secondary or tertiary sources. This article relies too much on references to primary sources.
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